There aren’t too many truly fine dining restaurants left in Los Angeles or anywhere else in the country for that matter. For a variety of reasons, the restaurant industry across the United States has largely moved away from a fine dining model. The number in L.A. can arguably be counted on one hand, two hands at the most. Providence, the restaurant owned by Chef Michael Cimarusti and Front of the House Wizard, Donato Poto is certainly one of the few left. It presents a very strong case that these restaurants must be preserved and appreciated, even if only a few can continue to exist.
Those that continue in this day and age must be doing something right. That is clearly the case with Providence. Chef Cimarusti, whose reputation was forged around his abilities with seafood proved to be no one trick pony as every dish that came out of the kitchen, seafood, vegetable and meat as well as since departed pastry whiz Adrian Vasquez’ desserts all highlighted magnificent product, cooked with subtlety, finesse and beauty.
Visiting with my friend, Russell Wong this past December, we reserved a table for the Friday afternoon lunch service. We accepted the kitchen’s invitation to cook for us and sat back to enjoy the ride, which commenced with Donato Poto, bringing us a view of a creature with whom we were to become quite intimate with in but a short while. This live king crab had just arrived from Alaska and was destined for our plate.
Though the crab was quite frisky, Poto had no trouble handling it. Clearly he had done this before!
While I was sad to see such a magnificent creature depart, I felt better knowing that at least it would be going to a good home. Poto and Cimarusti certainly knew how to start the meal with a great anticipatory bang!
Of course we started with cocktails – the edible kind. Cimarusti started us with a playful bent, demonstrating a knowledge of and skill with contemporary technique. The mojito on the left of the photo and the screwdriver, while no longer truly cutting edge, were tasty and fun nevertheless. Had the rest of the meal continued in this vein, it might have been trite. Instead, it was simply a fun welcome and a tasty statement of what they could do.
One of the things that makes haute cuisine special is how the food is presented. Tasty food does not have to be presented artistically on a plate to be enjoyed and a beautiful presentation in and of itself does not haute cuisine make. I have enjoyed beautifully presented dishes at some very, very casual restaurants. At a restaurant like Providence, it should be a given that the food will be delicious and beautifully presented and at Providence that was certainly the case. Where a restaurant like this stands out even more is how a dish is presented. Our first solid amuse was presented on antenna-like skewers. These grilled baby abalone bites were supremely tender and delicious. They had been steamed in dashi, marinated in Kyoto miso and then grilled over Binchotan charcoal. Presented like flowers growing out of the ground, there was the element of whimsy to accompany the visual, taste and textural pleasures of this bite.
The next bites were also presented whimsically on skewers. These delicious morsels were comprised of chorizo and Japanese Sword Squid, which had been scored and quickly blanched. Marinated with smoked paprika, lemon and olive oil, this was also grilled over Binchotan.This next bite was simply brilliant. The Tasmanian sea trout had been cured and seasoned with chive and red onion and served on a fantastic salmon skin crisp with smoked creme chantilly. It was rich, succulent, smoky, crisp and decadent all in one.
Another element of haute cuisine is the quality of what is served with the food. The wines at Providence were superb and extremely well matched to the dishes. We started with Champagne, in this case a lovely brut rosé from Charles de Cazenove, which married well with the opening dishes.
As brilliant as the sea trout was, the scallop rocked even harder. The live New Bedford sea scallop was taken and placed on a bed of creme fraiche that had been laced with finger lime cells and topped with a decadent Alverta President caviar. The finger limes provided a fabulous texture with bursts of vibrant citrus mini-explosions in each bite. The caviar was sensational. Amazingly enough, the scallop itself did not get lost amongst this rich assemblage and held its own with each element providing fantastic balance and adding definition to the dish. Both this dish and the rabbit albondigas dish from the Wolves Den dinner I had the prior night really opened my eyes and palate to the pleasure of finger limes, a fabulous ingredient originally from Australia, only recently coming into prominence in the United States.Riesling is a wine that is hardly limited to summer. One of the greatest of grapes and one of the friendliest to food, the 2008 Gerhard was no exception to that rule. It was marvelous with what came next.
Sylvaner is another great food wine and this 2008 “Classic” from the northernmost Italian winery, Abbazia di Novacella was crisp, green and bright with a firm acidity on the finish. At 13% alcohol it did not overwhelm the palate.
The crab that had been brought to the table at the beginning of the meal finally returned, albeit in a more refined form. It had been grilled in its shell and served with black truffle vinaigrette and dashi espuma that had been finished tableside. This was not The Red Lobster’s king crab legs. This crab had met a most noble end. He was dressed elegantly and played the part to a tee.
It appeared that a theme was starting to develop with the next wine, the Coenobium 2008 from Lazio, Italy. As the wine that preceded it, the Coenobium was made on an Italian religious property. While the Sylvaner was made at an abbey, this wine was made at a convent by Cistercian nuns! It was a complex, slightly oxidated white, composed of Trebbiano, Malvasia and Verdicchio grapes. It was a wine unlike any I had previously had and was delicious.
The wine was well suited to match these pristine grilled Japanese sardines, which were served atop a bed of McGrath farms cranberry beans with nori, brown butter and lemon. This dish represented a beautiful fusion of east and west, taking western technique and concept and adding a few key eastern ingredients both in terms of provenance and spirit.So much for the Italian religious theme for the wines! This wine brought me back to another time and place. Haling from an area I lived in over twenty years ago, this lovely mostly Cabernet Sauvignon based rosé from Albemarle Vineyards of the Kluge Estate showed me how far Virginia wines have come since I lived there. This one was crisp with rose petal and strawberry notes shining through.
Our party with whites now complete, we moved on to red with this biodynamic wine from Slovenia (straddling the Collio region of Italy). This was my first encounter with this wine, but not my last. Since this meal, I had the occasion to meet the winemaker, Ales Kristancic, during the Identita Golose in Milan. He is an interesting man and an even more interesting winemaker. The deep inky Veliko, composed of a blend of Cabernet, Merlot and Pinot Noir was meaty, bold and a perfect complement to the next course.
Super report as usual!
Man, Adrian left some big shoes to fill!
It’s been a long time!!
Thank you,’doc
Ted Niceley
Great post as usual! I have been following your blog diligently since I bump into your 1902 post! It has been fantastic.
Just note that the Hachiya Persimmon dish don’t look like a hachiya persimmon at all. With the characteristic star pattern and the fact that you can eat it while it is not completely melting and soft leads me to think that this is a fuyu persimmon.
Regardless of what type of persimmon it is, the pairing with sesame is genus!
Banana / jalapeno / cilantro! what a combination!
Thanks for reading and thanks for your comment! I’m not expert enough regarding persimmons to say one way or another, but it was called an Hachiya Persimmon by the restaurant. Either way, it was a wonderful dish!
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